drøne – mappa mundi

drøne – mappa mundi

Voice of the People
Horizontal Direction
Telegraphy Beacon
Echo of Hope
Shannon Volmet

[drøne # drøne1]
Limited Edition CD (500 copies)
You can hear an extract here

Release date: 13th October 2017
Now available on Bandcamp

Cover image & font by Nico Van Hoen

This the first CD released by drøne, after two vinyl albums on Anna von Hausswolff’s label, Pomperipossa. In a 5” jacket with artwork and font by nico, who also provided the hand-written text for the vinyl artwork for the 2015 and 2016 releases, “Mappa Mundi” traces and describes audio surrounding and occupying the planet earth.

Workers toil in smithies, call signs and chants-at-prayer reveal attempts to order the chaos, which always remains one step ahead. Post-lapsarian for sure, but smoke signals and drums have morphed into the ‘bing bong’ of the attention-grabbing, mind-polluting PA system. The coded simplicity of the whistle (“Start!”) has evolved into a more deliberate attempt to control rather than inform by explicit, structured language. Announcements have become commands; signs bark orders. Thus ‘no’ becomes a powerful rejection, rather than merely a preference; and no-ers are more easily to spot… “You’re going the wrong way”! (To which the only sensitive and mature response is: “Good!”)

Call signs, IDs, audio sigils and signatures all combine to describe a polluted, confusing atmosphere which threatens to leave us powerless and bewildered. “Decipher the sounds and you win the game! First prize is, guess what? You get to take the audio poison! Congratulations! You’ve lost!”.

The first album, ‘reversing into the future’ drew this response from Lend Me Your Ears: “This thrilling piece – surely the most kinetic non-dancefloor record in an age”. Anna herself wrote of the follow up record, ‘a perfect blind’: “I love everything about this release. Such a great presentation and exciting project! And most important: the music is sublime.”

The Quietus wrote: “Last year’s distinctive debut from drøne was likened to a hurtling journey. It’s combination of field recordings, shortwave radio and modular synths possessed an excited, driving energy whose route was hitherto unexplored and destination unknowable. But with an expanded sound pool boasting instruments across the ages – from guitar, through pipe organ and strings to dulcimer and psaltery – its follow-up takes a sideways step into more cognizant, reflective pastures.”

drøne – a perfect blind

drøne – a perfect blind

Side A back to the station
Side B cutting the screen

[Pomperipossa Records # PRLP3]
Limited Edition Vinyl (500 copies)
Release date: 22nd April 2017 [Record Store Day]
And afterwards available on Bandcamp (digital download only)

Cover image by Maria von Hausswolff
Cut by Jason @ Transition
Font by Nico

“I love everything about this release. Such a great presentation and exciting project! And most important: the music is sublime.” [Label boss Anna von Hausswolff]

oleg belyaev – baroque ‘cello
charlie campagna – ‘cello
paul haslinger – piano
philip jeck – pulse
bethan kellough – violin, viola
marie takahashi – baroque viola
anna von hausswolff – voices

baritone guitar & cymbals
dulcimer & psaltery
field recordings
lorenz cipher machine
1877 henry willis organ (union chapel)
short wave

Disruption between then and now/memory and presence, dulcimer, psaltery, ‘cellos, violas and violin embroider radio, static, stray voices and electronics… ‘a perfect blind’ is the second album by drøne (Mark Van Hoen & Mike Harding) with an array of guest artists, including label supremo Anna von Hausswolff, dreamer and composer Paul Haslinger, field recordist and sound designer Charlie Campagna and Touch artists Bethan Kellough & Philip Jeck. Strings by Seattle-based Marie Takahashi and Oleg Belyaev are also layered into this complex and perhaps more musical offering. Moving in all directions, ‘a perfect blind’ continues where ‘reversing into the future’ [pomperipossa records, 2016] left off.

‘a perfect blind’ was conceived and designed in Los Angeles with organ recordings from London (at Union Chapel), short wave radio, treated voices and other archaic sound sources.

A stunning front cover image by Maria von Hausswolff and miss-taken typography by Nico embrace this sense of dislocation; as the mediaeval language which enfolds our collapsing 19th Century institutions fails to find relevance, our sense of entrapment in the old is accompanied by an assault on the senses. The destabilising effect of “post-truth” adds to our sense of unbelonging, of being elsewhere, observers not participants.

‘a perfect blind’ is the term used for the best possible observation point where the viewer is unseen by the object of interest. Is this the best place to be? Memories which slowly fade away, also reverse back from the past shoving us into the future…

NTS Radio | 7th October 2016

organ-reframed-art1

Thames Estuary Festival 2016

SUNDAY 2 OCTOBER

11am – 11.30am
Below Sea Level

Simon Scott, sound ecologist and multi instrumentalist talks about his project, Below Sea Level with Mike Harding, the creative producer and co-director of audio visual label, Touch.

www.estuaryfestival.com/event/detail/soundofthamesdelta.html

Interview on X-Ray | 29th April 2016

www.xray.fm/broadcasts/11422

drøne – reversing into the future

PRLP2
[Pomperipossa Records # PRLP2]
Limited Edition Vinyl + full length wav DL [42:45]
Release date: 16th April 2016

You can order your copy now

Cover image: Maria von Hausswolff
Cut by Jason @ Transition

Side A this strange life l ::: 19:53
Side B this strange life ll ::: 19:57

Pomperipossa Records, curated by Anna von Hausswolff, is delighted to announce the forthcoming release of the first album by drøne. Field recordings, short wave radio, modular synth all combine to form an enticing, arresting, moving journey of electrically-charged dissonance, drones and electronic melodies… Anna calls it “a jewel”.

“A very hot day in the hills above Los Angeles… only possible to work in the mornings because of the sweltering afternoon heat, so all a bit frantic, but with a kink in time. There is no wifi-controlled air conditioning; the car is electric-powered and charging up. It has barely rained for months, (if not years) and the hoses are working overtime. Its an analogue session; Mark’s modular synth set up is working furiously and overheating. We are pushing sounds through and seeing what works… and things gradually take shape. The forms seem to determine themselves; how much control do we have? How much do we want? Some peculiar things start to happen and the haze bends. Some of the sounds seem alive and are quick to reform as we struggle to contain them, like trying to stuff snakes into a bag. The sounds moan and sing, forming their own phonemes.”

For further information:
drone@field.nu | @dronefield
Released by Pomperipossa Records
Published by Field Music
pomperipossarecords.com
www.field.nu/drone

Music Adviser | Edgar Honetschlager

Mike was music adviser on LOS FELIZ, the latest film by Austrian filmaker Edgar Honetschläger

You can see a trailer for the movie, which used tracks by Thomas Köner and Chris Watson here:

LOS FELIZ teaser

Long Wave Series 1 Rebroadcast

The first series will be rebroadcast on Resonance Extra and will go out in Brighton & Hove on a new smallscale DAB trial starting 1st December 2015].

Conference at UCSB MAT, Santa Barbara | 7th December 2015

Engineering Science Building
Room 2001

seminar.mat.ucsb.edu

Touch presents… Live in Los Angeles | 11th September 2015

RESONANT FORMS

8:00PM – 11:00PM Nightly, Workshop 12:00PM – 4:00PM, $20 – $70

VOLUME and LACE present the second Resonant Forms festival for three days from September 11 – 13, 2015

Los Angeles Contemporary Exhibitions [LACE]
6522 Hollywood Boulevard
Los Angeles, CA 90028

Simon Scott
Bethan Parkes
Jen Boyd
Mike Harding [live mix]

Tickets
Volume

Procedure | Los Angeles 25th August 2015

procedure

For more information…

Touch presents… Live at Elephant | Los Angeles 21st June 2015

logbookb

VOLUME is pleased to present an evening of outdoor performances by Touch-related artists curated by Mike Harding.

Elephant 3325 Division St. Los Angeles, CA 90065
$5 Doors 5pm Bar

Yann Novak
OFFING [Chris Duncan]
Mike Harding (live mix)
Tickets

Falmouth University Music Dept. | 2nd – 6th February 2015

SONVA Winter Fest week

Sonva is a Cornish word meaning a ‘place of sound’ and is the name of the Research Group and the Music community at large at Falmouth University.
From analogue to digital…and back?

Mike Harding introduces Touch (1982-2016+), an art project which has witnessed much change in the world of sound and its relationship not only to art but also how the “real world” of studios, record stores and distribution has changed; how perception of the role of artists, now largely dominated by public funding, has shifted. He will look at the way artists have adapted to working in a digital environment (even if the essence of the work is analogue) and how they see themselves and their role, and also the role the growing number of female artists has played and the influence this is having on the artistic community.

He will look specifically at the work of Chris Watson, Jana Winderen, Hildur Gudnadottir, BJNilsen, Philip Jeck and Christian Fennesz, all artists with whom he has a long-standing relationship. Mike will also discuss copyright and the realities of a world where music has virtually lost all monetary value, and how this unfolded. He will also look at what can go wrong, often more illustrative than what goes right, with an historical glance at the incompatibilities of the laws and digital technology…

Mike will also introduce the students to “freq_out”, a project created and curated by CM von Hausswolff, which asks them to participate in a collaborative frequency experiment which will be presented by them at the end of the period.

Falmouth University

Bulgarian TV | 25th October 2014

Appearing on national television in Sofia with Carl Michael von Hausswolff and Pepa Ivanova before a lecture at the University of Sofia

bnt.bg

Start viewing at 35:05…

AxS Festival, Pasadena | 27th September 2014

Mike Harding is appearing at the Axs Festival, Pasaena, California at 730pm on Saturday 27th September

Visuals: Jon Wozencroft
Audio: mixed from the Touch catalogue

You can see a video about the festival here [Courtesy of the Pasadena Arts Council]
AxS Festival

Tapeworm 5th Birthday Party | 16th September 2014

I might be doing something at this event at Cafe Oto…

details here

Acoustic City Book Launch | 14th September 2014

from 6pm in the Arcola Bar, Dalston, London

Free and open to all

The evening will mark the London launch of the Acoustic City book edited by Matthew Gandy and BJ Nilsen

www.theacousticcity.com

+ Jana Winderen @ Punkt | Norway 5th September 2014

Friday September 5th.

12:00-12:45 Michael Engelbrecht – Storytelling for burning songs (Or: how to make radio magic)
13:00-13:45 Jana Winderen & Mike Harding – From Punk to Punkt
14:00-14:45 Laurie Anderson – A meeting with Laurie Anderson

Saturday September 6th.

12:00-12:45 Henning Bolte & Jan Bang …

Punkt Festival

One Minute of Listening

Minute of Listening is an exciting and innovative project that has the potential to provide all primary-aged children with the opportunity to experience sixty seconds of creative listening each day of the school year. By downloading a simple application to their laptops, desktops or interactive whiteboards, teachers can bring a wealth of sonic resources into their classrooms.

www.minuteoflistening.org

For a full list of contributors:
www.minuteoflistening.org/pages/partners

Lecture & Conference | Evreux, France 14th June 2014

SATURDAY, JUNE 14th | 17h | Media Center of Evreux

LECTURE | CONFERENCE

Denis BOYER (Feardrop) | Mike HARDING (Touch) | Thierry WEYD (Ésam Caen-Cherbourg)
Collaboration |’Atelier(s) | Media Center | Ésam Caen-Cherbourg | Feardrop

Free entrance

Media Center, Square Georges Brassens, 27000 Évreux – France

www.lateliers.fr/lectureconf_e.html

Before Jana Winderen and Thomas Köner concert the same day at the Museum of Art History & Archeology cloister, a lecture will be provide by Denis Boyer, director of sound review Feardrop, on its texts on the Ice musical Imagination (L’imaginaire musical des glaces) and german musician Thomas Köner.

Presentation of the British label Touch with the presence of its director Mike Harding (who publishes among other works, Jana Winderen and Thomas Köner), and Thierry Weyd (teacher and editor) in the matter of Jana Winderen residency at the Laboratory of Art and Water initiated by Esam Caen-Cherbourg (Art Academy).

Franck Dubois, director of |’Atelier(s) and Frédéric Cosset, president of |’Atelier(s) will question Denis Boyer, Mike Harding and Thierry Weyd.